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Meeting the Photographic Yogi in Himalaya
Once trekking in the Himalaya I arrived
at Gangotri where the beautiful Ganga descends in a big gorge to rush to
meet the plains of Hindustan. I noticed a small hut sticking out over
the ridge adjacent to the big Ganga Fall. It took me some half-an-hour
to negotiate the river fall to reach the hut on other side of the gorge.
But I was rewarded with the most beautiful exhibits of array of
photographs depicting ever-changing moods and scenes of snowy peaks of
Himalaya. At the height of some 18-20,000 feet, clouds, rains, and high
rising snow-covered mountain slopes playing hide and seek games
entrapped with the flowing Ganga and running glaciers - at dawn, in the
hot sun or setting Sun, and sometime at the moon lit nights – the camera
Yogi was always ready to capture the changing moods of the Shivling top
and entrapped Bhagirathi running away from the Himalaya.
One of the striking photos was Omkar sketched on dark cloud background
sticking out of the Shivling peak. No, it was not a tricky composition.
Real Omkar was formed one day on top of the Shivling and the yogi
managed to shoot it. I looked around the gallery and gently knocked on
the small door but no one was guarding the place. I called out and
looked inside. No one was there. Quietly I traced my steps out of the
hut and on the ridge sat down waiting to meet the photographer.
The yogi arrived and offered me hospitality. He gave me a slice of bread
full of nuts cooked in a solar cooker. At the height of Himalaya the sun
is hot and the cooker is effective. He had an adjacent small hut for
visitors where he kept 6 sleeping bags for guests. The story of this
Yogi was touching and worthy of Ballyhooed script.
At 15, his father punished him for bunking the school. He ran away from
home, and jumped on a train starting from Trivendrum to nowhere he knew.
One thing was certain he wanted to go far away from his father so that
not to be forced to study. Somehow he arrived at Rishikesh. Time and
space had no value for him but finding some spot to shelter. A sadhu
took him under his wings and the young lad became his cook and pat.
He roamed the Himalayan routes with the sadhu and often acted as a guide
for the pilgrims. Years slipped away and at 20, as a cook and guide, he
joined a Japanese team that was photographing the Himalayan scenes.
Near the Milam Glacier while crossing a ravine, he was forced into a big
ditch. Interestingly, instead of rescuing him, the Japanese were
enthusiastically photographing him, and that made him to think the
importance of photographic technology. Laying in the cold and snowy
ditch and being photographed, he felt some self-importance – like the
film personalities and our political leaders. He was pulled up to safety
and that evening the Japanese celebrated the event. Returning to the
base, he bought a box camera in Rishikesh for Rs. 5.00. The shopkeeper
offered him two films free “ to start him on his new venture”, and since
than the Photo-swami had not looked back to any guru-vuru. He emerged in
his own –self a full-fledged Himalayan Photographer. He had had many
exhibitions in Germany, Austria and Switzerland, and had received many
honorary fellowships to professional societies in India and abroad. Once
his exhibition was also held at Indian International Center, New Delhi.
But his personal problem at that time had been somewhat complicated. An
American woman came to his base and stayed with him for a few weeks and
refused to leave him. He refused her proposal though could not refuse
her love. But the relations were getting rather complicated as she was
insisting to return to him from New York for good. “Did I do right not
marrying the woman”? I said yes, because there is no guarantee how long
the American adventurist would stick with you. You give up your ocre
robe for her and after a few months or couple of years if she decided to
leave you and return to America, you would be lost on the both fronts.
Short-lived friendship all right but long-term commitment is rather
difficult with such people.
One day the photo-swami turned up at my door. The American bride had
sold all her things in New York and returned to Gangotri. She had become
his soul mate, believing the two souls were destined to be together for
seven lives at least if not to attain Nirvana together. After sometimes
I received a letter the swami informing me that the local priests and
other owners of Yoga-ashram establishments had destroyed all his
photographs and his belonging were thrown in the Bhagirathi while he and
his soul mate were away. Legal actions had been taken against the
goondas but the loss of invaluable photographs of the Shivalingam peak
was irreparable.
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